Well, we’re back. Let’s cut to the chase…here’s some shit that got sampled and the shit that sampled it. Today I’ve chosen to focus on a single album, albeit one that has provided the foundation for a number of different tracks. That album is Lamont Dozier’s Black Bach.

lamont-dozier-black-bach.jpg

I copped this gem in the oh-so-slim Soul bin at my local punk rock record store, and at $2.99 it seemed like quite a find. That was before I knew it had already been thoroughly ravaged by previous producers. Nonetheless, I might still be able to squeeze a few cuts out of this one. It has legs, if you know what I mean. So lets take a listen to some of the sides on this particular platter, as well as the rap songs they, uh, inspired.

This first cut is called “Blue Sky and Silver Bird”…

It was sampled by Ant for the emo-licious Atmosphere classic, “The Woman With The Tattooed Hands”…I can’t really stand the lyrics for this one, so here’s the instrumental, which is the good part.

This next cut, “Prelude/Rose” is really two songs in one, and it gave birth to two different tracks…

The first (derived from “Prelude”) is Outkast’s “Jazzy Belle”…

The second (from “Rose”) is Shyne’s “More Or Less” (produced by Kanye West).

Our last Lamont Dozier treat for today is entitled “Shine”…

Of course, this was the source of, among other things, Pharoahe Monche’s Soundbombing II slammer, “Mayor”…

I say “among other things” because “Shine” also served as the basis for “Make It Home” by Spitfiya and Anthony Hamilton (off the Barbershop 2 Soundtrack...what do you mean you don’t have it?). And that’s not the only double-dip. “Blue Sky and Silverbird” was also used for Biggie’s “Living in Pain” (off the ill-advised Duets–The Final Chapter...let’s hope that’s the truth). Another cut, Dozier’s “Put Out My Fire”, was sampled by Cormega for The True Meaning’s “Instrospective”…but I don’t have that Cormega on me, so I didn’t include it. The point is, as many times as Black Bach has been sampled, I’m guessing producers will continue to turn to it for years to come. I know I will!

The blacker the Bach, the sweeter the juice,

Grip

6 Responses to “This is That pt. 2”

Good job with the Ant instrumental and not the song. I’m not really that into excessive and meaningless symbolism for the sake of sounding tormented. That beat is hot. I would have made it better though. And by that I mean I would have stolen more of the original song.

Love it. This feels like sitting around KRRC getting lifted and DITC.

You are killin’ it. I feel like a hip hop failure for not owning that record. I wonder what the buzzer beater sampled to produce the sounds of success that he emanates every day. I’ll google it.

Also Ghostface used that Shine sample and there’s a nice drum break on there.

But more importantly what’s sample does DJ Design use for Poppin Pockets?? I’ve been trying to find this for a while now…and I can see you’re not afraid of revealing samples, so hook me up!!

OK. First , let me set the record straight. DJ Design (God bless him) did not originally make the beat for Poppin’ Pockets. I brought a demo of it up to his studio (with that “unknown” sample already in place), and he and I did new drums and bass, as well as a bunch of sonic processing. He is a master of all these things, and he definitely had a major hand in the drum/bass programming and the final sound. But the sample-selection is all me, as it is on every song for which Design and I share production credit. I like to think that sample selection (and arrangement) is my strong suit, whereas I often turn to others for advice and assistance with the drums (just ask Richie Cunning). With Poppin’ Pockets, the original version was an old demo I did on four-track, and the drums were just a loop. It didn’t work very well. So I brought the original record with the sample on it up to the Look HQ, and me and Design did some surgery. Again, the kid is a wiz. But I want my credit, too. ‘Cuz I’m a sensitive artist. Anyway, long story short, I make my own beats and choose my own samples. And while I’m happy to reveal the source material for other people’s shit (information that’s already in the public domain), it would be unwise of me to publicly reveal my own (currently unknown) sources for legal reasons. Sorry, my man. But if I see you in person, maybe I can give you the scoop.

haha I understand GG. Sorry for not giving you your due, its a fucking dope beat. If you ever do a show in NYC, Ill be on the prowl. If not, hopefully I’ll find it on the-breaks.com one of these days…peace.

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